Here’s something that surprised me: nearly 40% of guitarists prefer buying secondhand instruments over brand-new ones. That’s not just about saving money—though that’s definitely part of it. There’s something genuinely exciting about the hunt.
Some of my best finds came from browsing the guitar center used section. I’ve spent countless hours in those aisles and clicking through online listings. What started as casual browsing turned into a deeper understanding of how the market actually works.
This guide shares everything I’ve learned about buying pre-owned guitars without the marketing fluff. We’ll cover why the used market makes sense and what to expect from inventory. You’ll also learn how to navigate the process without getting overwhelmed.
Maybe you’re nervous about buying used or looking to maximize value. I’m sharing real observations—the good, the occasionally frustrating, and the legitimately great deals I’ve witnessed.
Key Takeaways
- The secondhand instrument market offers significant value beyond just lower prices, including vintage finds and discontinued models
- Guitar Center’s used inventory varies dramatically between locations and changes daily, requiring strategic timing
- Physical store inspections reveal details that online photos can’t capture, making in-person visits worthwhile
- Return policies and guarantees provide protection that makes buying used less risky than many assume
- Patience and regular checking of inventory typically yield better results than impulse purchases
- Understanding fair market value beforehand prevents overpaying even on “discounted” instruments
Overview of Guitar Center’s Used Instruments
I’ve spent countless hours browsing through guitar center used inventory, both online and in-store. The selection continues to surprise me. The pre-owned section isn’t just a dusty corner with beat-up student guitars.
It’s a rotating marketplace where professional-grade instruments land at accessible prices. What sets this apart from typical classified ads is the sheer volume and turnover. Guitar Center processes thousands of trade-ins monthly across their 300+ locations nationwide.
That means fresh inventory hits the floor constantly. Checking back weekly often reveals instruments that weren’t available just days before. The marketplace operates on practical economics.
Musicians upgrade, downsize collections, or pivot to different styles. Their used gear becomes your opportunity to access quality instruments. You avoid the new-price premium entirely.
Why Choose Used Guitars?
Here’s something most retailers won’t tell you—new guitars need breaking in. The wood needs time to resonate. The finish needs to fully cure.
Sometimes manufacturing inconsistencies only reveal themselves after months of playing. Used guitars have already gone through this settling period. This gives them a distinct advantage.
I picked up a 2015 Gibson ES-335 from the guitar center used section. It had been played regularly for five years. The tone was noticeably warmer and more responsive than the brand-new 2020 model.
That new model sat three feet away at twice the price. The wood had aged, the electronics had stabilized. Any quality control issues would have already surfaced.
This breaking-in advantage applies across price ranges. Even a used Squier that’s been played for two years feels better. It often sounds better than one fresh from the factory.
The fretboard has been worn smooth by actual playing. The neck has adjusted to tension. You’re getting an instrument that’s proven itself functional.
A guitar is not truly finished until it has been played for years. The wood continues to resonate and develop character with time.
Benefits of Buying Used Instruments
The financial advantage is obvious—you’re typically saving 30-50% compared to new pricing. But the benefits of second hand instruments at guitar center extend beyond just saving money. Access to discontinued models represents a huge advantage.
Manufacturers constantly change specifications and discontinue product lines. They phase out popular features. That mid-2000s American Standard Stratocaster with the specific pickup configuration Fender no longer offers?
It’s sitting in the used section right now. You can find instruments that simply aren’t made anymore. This opens up entirely new possibilities for your sound.
- Vintage gear availability: Instruments from the 1980s-2000s that are no longer manufactured but haven’t yet reached “collector pricing” territory
- Limited edition access: Special runs and artist models that sold out years ago but occasionally surface through trade-ins
- Higher quality per dollar: A used professional-grade instrument often outperforms a new entry-level model at the same price point
- Immediate playability: No break-in period needed—what you hear in the store is what you get at home
I’ve watched the market long enough to notice a trend. More experienced players actually prefer buying used because they understand these advantages. The stigma around pre-owned instruments exists mainly among beginners.
They assume “used” means “damaged” or “inferior.” The reality tells a different story. Some of the best guitar deals I’ve ever encountered were second hand instruments at guitar center.
They needed nothing more than fresh strings and a basic setup. We’re talking instruments that originally retailed for $2,000-3,000. They’re available for under $1,500 in excellent condition.
Guitar Center’s Inventory Snapshot
The current guitar center used inventory spans an impressive range. At any given time, their combined online and physical store inventory includes approximately 15,000-20,000 used instruments. This isn’t a static number—it fluctuates constantly based on trade-in volume and sales.
The inventory sources tell you a lot about quality expectations. Most used gear comes from three main channels. Customer trade-ins account for roughly 60% of inventory.
Rental fleet rotations make up about 25%. Customer returns within the standard return window represent approximately 15%. Each category offers different advantages.
| Inventory Source | Typical Condition | Price Advantage | Best For |
|---|---|---|---|
| Customer Trade-Ins | Varies widely | 40-60% off retail | Finding unique or vintage pieces |
| Rental Fleet Rotation | Well-maintained, consistent | 30-45% off retail | Reliable condition, recent models |
| Customer Returns | Like-new, minimal play time | 20-35% off retail | Nearly new instruments at discount |
Geographic location affects availability significantly. Stores in major metropolitan areas like Los Angeles, Nashville, and New York carry higher-end used inventory. Those markets have more professional musicians trading gear.
Smaller market stores still offer solid selection. They tend toward entry and intermediate-level instruments. The online inventory aggregates everything, which means you’re browsing the combined stock of hundreds of locations.
I’ve found that checking the website weekly reveals instruments that sold within days of listing. This is particularly true for anything in the $800-1,500 range. That price point hits the sweet spot for serious players upgrading from beginner gear.
One pattern I’ve noticed: vintage instruments and high-end models move slower. This gives you more time to research and decide. That 1970s Fender might sit for weeks.
A used PRS SE will disappear within 48 hours of listing. Understanding these inventory dynamics helps you time your purchases strategically. You can plan when to jump on a deal and when to take your time.
The Reputable Brands You’ll Find
Browse vintage gear at Guitar Center locations to find instruments from respected manufacturers. The used section features the same brands professional musicians trust. You’ll get quality names at prices that won’t destroy your budget.
I’ve spent hours flipping through used racks at different locations. The consistency in brand quality surprised me at first. These aren’t random trade-ins from desperate sellers.
They’re legitimate instruments from players upgrading their gear or changing musical directions. That distinction matters more than most buyers realize.
Brand Names That Dominate the Used Market
The brand lineup at Guitar Center’s used section reads like guitar manufacturing’s greatest hits. Fender consistently tops the availability charts. You’ll find everything from Mexican-made Standards to American Professional models.
I’ve personally spotted ’70s Stratocasters hanging beside 2010s Highway Series guitars. The range is genuinely impressive.
Gibson and Epiphone guitars fill significant rack space too. You’ll find Les Pauls, SGs, and ES-335s in various conditions. Epiphone versions give budget-conscious players access to classic designs without Gibson price tags.
Other manufacturers you’ll regularly encounter include:
- PRS (Paul Reed Smith) – Both SE and S2 series appear frequently
- Ibanez – Especially popular for metal and progressive rock styles
- ESP and LTD – Heavy music specialists with solid build quality
- Jackson – Shred-oriented guitars with fast necks
- Gretsch – Rockabilly and jazz hollow-body options
- Taylor – Acoustic guitars with exceptional tone and playability
The diversity means you’re not limited to one playing style. Pre-owned guitars from these manufacturers cover the spectrum. Location inventory varies, but these brands form the foundation everywhere.
Bonus Accessories That Sweeten the Deal
Used guitars frequently come with valuable extras the previous owner included. I’ve personally grabbed guitars with aftermarket pickups worth $200+ already installed. That’s free value you wouldn’t get buying new.
Common accessories bundled with used instruments include:
- Original hardshell cases (often worth $100-150 alone)
- Extra string sets in various gauges
- Guitar straps—sometimes premium leather ones
- Upgraded tuning machines the previous owner installed
- Aftermarket pickups and electronics
- Tremolo bars and hardware parts
Not every used guitar comes loaded with extras. Enough do that it’s worth asking. Guitar Center staff might not realize what’s included until you point it out.
I once bought a used Telecaster with Texas Special pickups installed. That’s easily $150 in upgrades. These opportunities exist because sellers often forget to remove their modifications before trading in.
Understanding Brand Reputation and Future Value
Brand reputation directly impacts resale value. A guitar that holds its value represents a smarter financial decision. Certain manufacturers have proven track records for maintaining worth over time.
A used American Fender typically retains 60-70% of its original price. Budget brands depreciate faster—sometimes dropping to 40% within two years. This is market reality based on build quality and demand.
Quality brands from the used rack often outperform cheaper new instruments. Manufacturing standards were simply higher to begin with. A used PRS SE might cost $400 but offers build quality lasting decades.
| Brand | Average Resale Value | Typical Depreciation | Quality Tier | Investment Potential |
|---|---|---|---|---|
| Fender (American) | 60-70% of original | Low (30-40%) | Premium | Excellent |
| Gibson | 55-65% of original | Moderate (35-45%) | Premium | Very Good |
| PRS (Core Line) | 65-75% of original | Low (25-35%) | Premium | Excellent |
| Ibanez (Prestige) | 50-60% of original | Moderate (40-50%) | Mid-High | Good |
| Epiphone | 40-50% of original | High (50-60%) | Mid-Range | Fair |
These percentages come from tracking actual used guitar sales over several years. Premium brands hold value better because demand stays consistent. Buying used from these manufacturers protects you against steep depreciation.
Brand reputation also affects playability and reliability. A quality instrument maintains proper setup longer and requires fewer repairs. That matters whether you’re gigging professionally or practicing in your bedroom.
The vintage gear Guitar Center stocks varies by location. Brand quality remains consistent. You’re getting proven companies with decades of experience building instruments musicians actually want to play.
The Buying Process at Guitar Center
I’ve purchased seven used guitars from Guitar Center. The process taught me things the website doesn’t tell you. The buying journey for guitar center used instruments isn’t complicated, but knowing the system’s quirks saves time and disappointment.
Understanding how their inventory system works gives you a serious advantage over casual browsers. This applies whether you shop online or visit a physical location.
The process differs fundamentally from buying new instruments or shopping at typical music stores. Each listing represents one actual guitar sitting in a specific store somewhere in the country. That changes everything about how you approach your search.
Finding Your Way Through the Digital Inventory
Guitar Center’s online platform for used music equipment provides search filters that actually matter. You can narrow results by condition rating, price range, brand, and most importantly—location. The location filter deserves special attention because shipping costs and times vary dramatically.
The search tools include these essential filters:
- Condition ratings from Excellent to Fair, with specific definitions for each category
- Price ranges that you can customize or select from preset brackets
- Brand selection covering everything from budget to boutique manufacturers
- Store location showing which physical location holds each specific instrument
- Instrument type filtering acoustic, electric, bass, and specialty guitars
Here’s something crucial: each listing shows which store currently has that guitar. You’re looking at one specific instrument, not generic stock. I always call that store directly to ask detailed questions or request additional photos before committing.
Setting up alerts for specific models changed how I hunt for instruments. Rather than checking manually every day, the system notifies you when your target guitar appears. This tool works especially well for less common models that don’t show up frequently.
Physical Stores Versus Online Shopping
The in-store versus online decision comes down to what matters most for your situation. In-store shopping gives you the obvious advantage—you physically play the instrument before spending money. There’s no substitute for feeling the neck, hearing the tone through an amp, and checking the action yourself.
But online shopping through guitar center used listings opens up inventory from hundreds of locations nationwide. I’ve had guitars shipped from California to my East Coast location without problems. Shipping times fluctuate based on distance and current logistics.
The comparison breaks down like this:
| Shopping Method | Main Advantages | Primary Limitations |
|---|---|---|
| In-Store Purchase | Physical inspection, immediate gratification, hands-on testing, face-to-face negotiation potential | Limited to local inventory, travel time required, fewer options available |
| Online Purchase | Access to nationwide inventory, convenient browsing, more selection, price comparison across locations | Cannot test before buying, shipping costs and delays, relying on photos and descriptions |
| Hybrid Approach | Browse online then visit store, or call store about online listing for details | Requires extra coordination, instrument might sell before you act |
My strategy combines both approaches. I browse online to identify possibilities, then either visit in person if it’s local or call the store. This hybrid method has worked consistently for finding quality used music equipment without settling.
Getting Help When You Need It
Customer support resources at Guitar Center vary in quality depending on who you reach. Their Gear Advisors handle general questions, but I’ve found their knowledge inconsistent. The in-store used department staff typically know more about the actual instruments because they handle them daily.
The support channels include:
- Phone support through their main line or direct store numbers
- Live chat on the website for quick questions
- Email inquiries for detailed questions requiring research
- In-store specialists in the used department
I always have the specific listing number ready when contacting support about used music equipment. This speeds up the process dramatically because they can pull up exact details about that particular instrument.
The return policy deserves mention here, though we’ll cover it thoroughly later. Knowing you have options if something doesn’t work out reduces the anxiety of buying sight-unseen. That safety net makes online purchases more viable for expensive instruments.
The key to successful purchases is treating each listing as a unique item requiring individual investigation, not as interchangeable inventory.
This approach consistently leads to better outcomes than impulse buying. Taking time to use the available tools and resources separates satisfying purchases from regrettable ones.
The Role of Quality Assessments
Beyond the price tag, quality assessments reveal the true condition of any used instrument. Understanding inspection standards makes the difference between satisfaction and buyer’s remorse. The evaluation process for guitar center preowned instruments involves multiple checkpoints that every buyer should understand.
Understanding the Inspection Standards
Guitar Center’s inspection process covers the fundamental functionality of each instrument. Technicians check that electronics work properly and the neck maintains proper alignment. They also ensure frets haven’t worn down to the point of buzzing.
These are baseline standards that ensure you’re not buying a non-functional instrument. However, here’s what I’ve learned through experience: inspection doesn’t equal setup. A guitar might pass all functionality checks but still play poorly.
This happens because the action is too high or the intonation is off. I’ve purchased several pre-owned guitars that technically worked fine. They transformed after a proper professional setup.
The grading system uses categories like “Good,” “Great,” and “Excellent” to rate condition. Interpret these ratings conservatively. A “Good” condition guitar often has more cosmetic wear than you might expect.
This includes scratches, dings, or finish checking. “Great” usually indicates minimal visible use with maybe minor surface marks.
Always budget an additional $50-80 for a professional setup, even on instruments graded favorably. This investment makes any used guitar play its best. It also helps you identify any hidden issues early.
Protection Through Warranties and Returns
Warranties on guitar center preowned instruments differ significantly from new equipment coverage. Used gear typically comes with a 45-day limited warranty. This actually provides reasonable time to verify no hidden problems exist.
This window gives you enough time to test the instrument thoroughly. You can try it in various playing situations. The return policy for pre-owned guitars offers a short decision window.
You’ll need to act quickly if something doesn’t meet your expectations. I recommend treating those first few weeks as an intensive evaluation period. Don’t use them for casual playing time.
During your return window, conduct a systematic inspection:
- Test tuning stability across multiple sessions
- Listen for electronic crackling when adjusting volume and tone controls
- Examine the neck pocket for gaps or misalignment
- Check all switches and selector positions
- Look under the pickguard if you’re comfortable removing it
This personal verification process protects you beyond the store’s initial assessment. I’ve caught issues during this period that weren’t immediately obvious. Things like intermittent electronics or hardware that loosened over time.
Learning From Customer Experiences
Expert reviews and customer ratings provide valuable insights. But remember a crucial distinction: you’re buying the specific instrument, not just a model. Two “used” versions of the same guitar can vary dramatically based on previous ownership.
Customer testimonials often highlight Guitar Center’s inspection consistency and staff knowledge. However, reviews also reveal an important pattern. Experienced players who do their own thorough inspection report higher satisfaction rates.
The best protection when buying used is your own knowledge and willingness to inspect carefully. Store assessments catch major issues, but you need to verify the details.
Online ratings help you understand typical condition ranges for specific models. If you’re looking at a particular guitar that historically holds up well, reviews confirm this. They show whether pre-owned guitars of that model maintain their playability.
Conversely, models with known weak points show up in customer feedback. I cross-reference multiple information sources for the best results. This includes manufacturer specs, player forums, and Guitar Center’s own customer reviews.
This research approach helps set realistic expectations about what “used” means. It works for different instrument types and price points.
The bottom line: Quality assessments from Guitar Center provide a foundation. But your personal inspection during the return period serves as the final quality control. Combine professional evaluation with your own due diligence for the best outcome.
Price Range and Affordability
Price tags at Guitar Center’s used section reveal patterns that separate genuine value from mediocre deals. Understanding actual numbers behind affordable used instruments helps you make strategic decisions. I’ve tracked pricing trends across hundreds of listings, and the patterns guide your shopping approach.
The affordability factor extends beyond simple sticker shock. It’s about accessing quality tiers your budget wouldn’t normally reach when shopping new.
Average Prices for Used Guitars
Budget-tier used guitars start around $100-200 for entry-level models like used Squier Stratocasters or Epiphone Special IIs. These instruments work well for beginners or players needing a backup guitar. They’ve already absorbed the steepest depreciation hit.
Mid-range instruments represent the sweet spot for most players. Used Epiphone Les Pauls typically land in the $300-500 range. Mexican-made Fender Stratocasters appear at $450-600.
These guitars deliver professional playability without premium pricing.
The upper tier features American-made instruments and established premium brands. Used American Fender Stratocasters start around $800-1,200 depending on year and condition. Gibson USA Les Pauls occupy similar territory, though certain models push higher based on desirability.
I’ve noticed that 3-7 year old mid-range instruments offer the best value proposition. They’ve depreciated significantly but haven’t reached the age where major maintenance issues typically emerge. This timeline balances affordability with reliability.
Comparing Prices: New vs. Used
The savings percentages vary by brand and model, but patterns emerge quickly. Used guitars at Guitar Center typically sell for 30-50% off their new retail prices. This depends on condition and market demand.
A concrete example illustrates the math clearly. A new Mexican Fender Stratocaster retails for approximately $800-900. The same model used commonly appears at $450-600.
You’re saving $300-400, which covers a professional setup and leaves money for an amplifier or effects pedals.
| Guitar Model | New Price | Used Price | Savings |
|---|---|---|---|
| Squier Stratocaster | $300-350 | $150-200 | $150 (43%) |
| Epiphone Les Paul Standard | $600-700 | $350-450 | $250 (36%) |
| Fender Player Stratocaster | $850-900 | $500-600 | $300 (35%) |
| Gibson Les Paul Standard | $2,500-2,800 | $1,400-1,800 | $900 (36%) |
The guitar center clearance section sometimes overlaps with used inventory. Floor models and B-stock items get priced similarly to used gear. This creates additional opportunities for savings.
These price differences represent accessing higher quality tiers than your budget would allow when buying new. A $600 budget gets you a used American Fender instead of a new import model. That’s a genuine quality jump in materials, craftsmanship, and resale value.
High-End Instruments at Bargain Prices
Premium guitars occasionally appear at surprisingly affordable prices, though they move quickly. I’ve personally seen used PRS Custom 24 models priced at $1,400-1,600 when their new price exceeds $2,800. American Ultra Stratocasters sometimes drop under $1,200 despite retailing new around $2,000.
These deals require constant monitoring and quick decision-making. Premium instruments at bargain prices don’t sit in inventory long. Setting up saved searches and checking daily increases your chances significantly.
Several factors create these opportunities:
- Sellers needing quick cash accept lower prices
- Less popular finishes or configurations get discounted
- Minor cosmetic issues drop prices on otherwise excellent instruments
- Market fluctuations temporarily depress certain model values
The key insight about affordable used instruments is timing. Prices fluctuate based on supply and demand cycles. January through March typically sees more inventory as people sell holiday gifts or fund New Year’s purchases.
This increased supply can drive prices down slightly.
I’ve tracked specific models over months and noticed price variations of 10-15% based purely on timing. Patience combined with knowledge of fair market value helps you recognize genuine deals versus standard pricing.
Understanding these price patterns transforms browsing into strategic shopping. You’ll recognize when a guitar is genuinely underpriced versus simply used. That knowledge separates smart buyers from those who overpay for used gear.
Trends in Used Guitar Sales
Sales data from the used guitar market reveals important patterns about timing and value. The pre-owned instrument sector has changed significantly over recent years. Understanding these patterns gives you a real advantage when shopping.
I’ve tracked these changes firsthand over several years. I’ve watched how quickly inventory moves and what factors influence pricing.
Recent Sales Statistics
The numbers show substantial growth in the used music equipment sector. Industry reports indicate pre-owned gear sales increased approximately 20-25% since 2020. Pandemic lockdowns brought new players into the market while experienced musicians upgraded their collections.
Guitar center used inventory turnover has accelerated dramatically. Desirable models that once sat for months now disappear within days. I’ve personally watched specific guitars vanish before I could schedule a store visit.
This faster movement means popular brands require quick decisions. Mexican Fenders, higher-end Epiphones, and mid-range PRS models move especially fast. Competition among buyers has intensified, particularly for instruments priced between $400-$800.
Certain vintage-adjacent instruments from the early 2000s are experiencing unexpected demand spikes. Models considered “just used guitars” five years ago now command premium prices. This shift represents a significant market transformation worth understanding.
Predictions for Future Market Trends
Several factors suggest continued expansion in the used music equipment market. More players now recognize the value of pre-owned instruments. Sustainability concerns make buying used appealing to environmentally conscious musicians.
Here’s my prediction based on consistent observation: mid-tier instruments manufactured between 2000-2015 will become more desirable. These guitars have character and proven construction yet remain affordable for working musicians. We’re already witnessing this pattern with certain guitar center used models from that era.
The key drivers shaping future trends include:
- Value recognition: More buyers understand that quality doesn’t require buying new
- Sustainability movement: Environmental awareness makes pre-owned purchases more attractive
- Appreciation potential: Certain used instruments gain value over time
- Supply constraints: Manufacturing disruptions have limited new inventory availability
- Digital marketplace efficiency: Online platforms make finding specific models easier than ever
Seasonal patterns create strategic buying opportunities that savvy shoppers exploit. Inventory typically increases after Christmas when people trade in unwanted gifts. Summer brings another surge as students sell instruments before heading to college.
I’ve noticed price fluctuations follow predictable cycles. January and July often present the best selection. October and November show reduced inventory as stores prepare for holiday demand.
Used prices over recent years show interesting patterns beyond seasonal variations. Gibson and Fender consistently command higher percentages of their original retail prices. Overlooked brands like Yamaha and Ibanez offer exceptional value.
Looking ahead, expect the gap between new and used pricing to widen further. Manufacturing costs continue rising while guitar center used inventory provides stable alternatives. The smart money is on understanding these trends and buying accordingly.
Tools for Finding the Right Guitar
The right tools transform guitar hunting from overwhelming frustration into a strategic process. Browsing randomly through hundreds of listings wastes time and energy. I’ve learned that deliberate use of available resources separates buyers who find perfect matches from those who settle.
Guitar Center used inventory requires a methodical approach. The sheer volume of pre-owned guitars cycling through their system means opportunity exists. You just need to know how to filter through the noise effectively.
Digital Search Features That Actually Work
Guitar Center’s online platform includes search filters that become incredibly powerful once you understand their capabilities. Most people use basic filters like brand and price range. That approach misses the precision available.
I filter by specific technical specifications that matter to my playing style. Pickup configuration, scale length, neck profile, and instrument weight all appear as filter options. Filtering by weight eliminated dozens of unsuitable options immediately.
The “notify me” feature has saved me countless hours of manual checking. Set your specific parameters—say, “Stratocasters between $500-$700 with humbucker modifications”—and the system alerts you. I’ve secured several great deals within hours of listing because notifications arrived first.
Search refinement makes the difference between finding hidden gems and settling for whatever appears first. These tools help you navigate their massive rotating inventory efficiently.
Manual Comparison Strategies for Serious Buyers
Guitar Center’s website doesn’t offer sophisticated side-by-side comparison tools. I’ve developed my own system instead. Opening multiple browser tabs works, but tracking details requires better organization.
I maintain a spreadsheet for any serious guitar search. This approach applies particularly well to pre-owned guitars where individual instrument history matters. My spreadsheet includes these columns:
- Model and year with serial number for verification
- Listing price versus typical used market value from recent sold listings
- Condition rating and specific issues noted in the description
- Known model-specific problems researched from forums and reviews
- Modification or upgrade status that adds value
This comparison framework reveals patterns quickly. My spreadsheet shows whether price differences reflect actual condition variations or just inconsistent pricing. That information has saved me from overpaying multiple times.
Serial number verification deserves special attention. Looking up the specific serial number confirms manufacturing year and country of origin. That research takes five minutes but provides information that affects playability expectations and resale value.
Factoring In Customization Value
Modifications change the entire value equation for guitar center used instruments. A guitar priced slightly higher but already upgraded might cost less overall. Compare that to buying a cheaper stock model and upgrading it yourself.
I’ve purchased several pre-owned guitars specifically because they included modifications I wanted. One Telecaster came with Seymour Duncan pickups already installed—upgrades that would have cost $200-300 separately. The seller priced it only $75 more than comparable stock models.
Customization potential works both ways. Some used guitars are priced lower because they need setup work or minor repairs. If you’re comfortable doing basic guitar maintenance, these represent opportunities.
Consider the complete cost of ownership rather than just the sticker price. Factor in any immediate upgrades, repairs, or adjustments you’ll need. Sometimes the guitar listed at a higher price is actually the better deal.
Building relationships with store staff accelerates this entire process. Guitar Center employees who know your preferences can contact you about incoming inventory. I’ve received calls about guitars that matched my criteria while they were still in inspection.
The tools aren’t just digital—human connections prove invaluable for finding perfect matches in a competitive market.
Frequently Asked Questions (FAQs)
Buying used guitars raises legitimate questions. I’ve learned that addressing them directly helps musicians make confident decisions. The concerns people bring about purchasing guitar center used instruments are entirely valid.
These questions come up repeatedly for every guitarist. The same worries surface about quality, value, and whether that scratch really matters. Let me walk through the most common questions with honest answers.
What to Look for in a Used Guitar?
Structural integrity comes first—everything else is secondary. Sight down the neck from the headstock like a rifle barrel. You’re checking for straightness and whether the neck relief looks reasonable.
A slight bow is normal and adjustable. Twists or severe warping spell trouble. Run your hand along the fret edges to feel for sharp ends.
Sharp frets indicate wear or poor finishing. These sharp frets will cut your hand during playing. This is more than just annoying.
Electronics testing matters enormously on electric guitars. Plug the instrument into an amplifier and test every switch position. Turn each control through its full range while listening for crackling.
I’ve passed on guitars that looked perfect but had electrical issues. Those problems often cost more to fix than you saved. Listen carefully for cutting out or dead spots.
Finish cracks demand careful inspection around stress points. Check the neck joint where the neck meets the body. Cracks here can indicate a drop or impact.
Examine the headstock closely, especially on angled headstocks. These areas are vulnerable to breaks that sometimes get repaired. Look inside the soundhole on acoustics for cracks.
Small finish checking from age is normal. Structural cracks are deal-breakers. Check the bracing and top wood carefully.
The hardware assessment includes tuning machines, bridge condition, and nut integrity. Turn each tuner slowly and feel for smooth operation. Corrosion on bridge saddles indicates moisture exposure or poor storage.
Check the truss rod by making small adjustments. If it’s already maxed out, you can’t make future adjustments. This verification takes two minutes but saves potential headaches.
| Inspection Area | What to Check | Red Flags | Acceptable Issues |
|---|---|---|---|
| Neck Straightness | Sight down from headstock | Twists, severe bowing, back-bow | Slight relief (adjustable) |
| Frets | Run fingers along edges, visual wear | Sharp ends, deep divots, uneven height | Minor wear, light tarnish |
| Electronics | Test all switches and pots | Crackling, dead pickups, cutting out | Minor dust noise (cleanable) |
| Finish & Body | Check joints, headstock, bracing | Cracks through wood, repaired breaks | Minor dings, finish checking |
| Hardware | Tuners, bridge, truss rod function | Stripped screws, maxed truss rod, heavy corrosion | Surface oxidation, worn plating |
Common Concerns and Myths
The “used guitars are damaged goods” myth needs to die. Most guitar center used instruments come from trade-ins where players simply changed styles. I’ve bought used guitars that had maybe ten hours of playing time.
These instruments aren’t damaged—they’re lightly used at best. The previous owner’s loss becomes your gain. They trade a barely-played instrument for something different.
Another misconception suggests you can’t trust pre-owned instruments. Guitar Center implements basic inspection protocols before selling used music equipment. While these inspections aren’t exhaustive, they catch major problems.
I’ve found their used inventory generally reflects accurate condition descriptions. The occasional lemon slips through, but that’s why return policies exist.
The belief that new guitars automatically play better ignores reality. A properly set up used guitar frequently outperforms a budget new instrument. Setup quality matters far more than whether an instrument is new.
I’d take a used Mexican Fender with fresh strings over a brand-new entry-level guitar. The playability difference is substantial. Proper setup makes all the difference.
The myth that you absolutely must buy guitars in person overlooks modern realities. I’ve had excellent experiences purchasing sight-unseen when I knew exactly what model I wanted and understood its typical characteristics.
Buying online works when you’ve done your research. If you know that specific model’s reputation and common issues, the risk decreases. I wouldn’t buy an unfamiliar model online, but buying a known quantity is usually safe.
Tips for First-Time Buyers
Set your maximum budget including setup costs before shopping. That $400 guitar might need $75 in setup work and new strings. Factor these expenses into your budget planning rather than discovering them after purchase.
Research the specific model’s common issues before visiting the store. Every guitar model has known weaknesses. Some Gibsons have headstock angle issues, certain Fenders have neck pocket gaps.
Many acoustics develop bridge lift. Knowing these problems beforehand helps you inspect intelligently.
Give yourself time to compare options instead of buying the first day. I’ve made impulsive purchases I later regretted. Look at multiple instruments, take notes, and sleep on the decision.
The perfect guitar center used instrument will likely still be there tomorrow. If it’s not, another one will appear. Patience pays off in finding the right guitar.
Ask about trade-in history when possible—some stores track this information. Knowing whether a guitar was traded once or has cycled through multiple owners tells you something. Multiple quick turnovers might indicate an issue.
Take detailed photos of any damage before leaving the store. These photos protect you if disputes arise about condition. I photograph every angle, close-ups of damage, and serial numbers as standard practice.
Keep all documentation including receipts, inspection reports, and warranty information. File these papers somewhere accessible rather than stuffing them in a guitar case. You’ll need them if problems develop or if you eventually sell.
Play the guitar extensively before deciding—not just a quick two-minute test. Spend at least fifteen minutes playing different styles and checking every fret. Test the ergonomics at different positions.
Sit down with it, stand up with it, and play at different volumes. The guitar that feels amazing for three minutes might reveal problems during extended playing. Some neck profiles feel great initially but cause hand fatigue.
Some instruments balance poorly on your lap. You won’t discover these issues without adequate playing time.
Trust your instincts about condition and value. If something feels off about the instrument or the deal, walk away. The used music equipment market constantly refreshes with new inventory.
Another opportunity will come along, probably sooner than you expect. Don’t rush into a purchase you’ll regret.
Success Stories: Happy Customers
I’ve collected dozens of success stories over the years. The common thread is clear: buying used works. These aren’t just anecdotes about saving money.
They’re real examples of players finding instruments they couldn’t otherwise afford. Many discover discontinued models that vanished from new inventory years ago.
Choosing guitar center preowned instruments isn’t just acceptable. It’s often the smarter financial decision even when budget isn’t the primary concern.
I personally grabbed a 2012 American Standard Telecaster for $750. It would’ve cost $1,400 new. Five years later, I could sell it for exactly what I paid.
Telecasters hold value remarkably well. That’s not just savings. That’s essentially free guitar ownership after accounting for depreciation.
Customer Testimonials and Reviews
The reviews I’ve read and personally experienced range from enthusiastic to downright ecstatic. One player saved $600 on their dream guitar. It was a Les Paul Standard that looked and played like new.
Another found a discontinued model they’d been hunting for three years.
Common themes in customer feedback include:
- Condition exceeding expectations – “Looked brand new despite being marked as used”
- Significant cost savings – Average reports of 30-50% below new retail prices
- Rare finds – Access to discontinued or limited-edition models
- Helpful staff – Both online chat and in-store expertise guiding purchases
The guitar center preowned section has connected countless players with instruments. These are guitars they couldn’t otherwise afford or find.
Statistics from various guitar forums suggest something interesting. Roughly 60-70% of experienced players own at least one used instrument purchased from major retailers. That’s the majority of serious musicians making informed decisions.
Famous Musicians Who Buy Used Guitars
Professional musicians buying pre-owned guitars is more common than you’d think. Session players and touring musicians regularly grab used instruments as backups. They also use them for specific sounds that vintage guitars deliver better.
The reality is clear: professionals recognize that a used guitar isn’t inferior. It’s just pre-owned. Many touring rigs include used instruments because road wear is inevitable.
Why risk a brand-new $3,000 guitar? A used $1,200 version sounds identical.
The professional mindset focuses on sound and playability, not previous ownership. A broken-in guitar often plays better than factory-fresh instruments. New guitars need months of playing to settle in.
Case Studies of Value Purchases
Real-world examples from my own experience demonstrate the financial advantage clearly. Fellow players share similar stories. Here are three case studies that illustrate the value potential:
- PRS SE Custom 24 with Upgrades – A friend found this guitar with upgraded pickups for $450. New price: $700. Pickup upgrade value: $150. That’s an $850 guitar for $450, representing a 47% discount on total value.
- Fender Blues Junior Amp – Purchased from clearance section for $280 (new price $600). After five years of use, similar used models still sell for $250-300, meaning minimal depreciation.
- Gibson SG Standard (2008) – Bought used for $850 in 2015 when new models cost $1,600. Current used market value: $900-1,000, showing the instrument actually appreciated despite years of playing.
Informed buyers who inspect carefully come out ahead financially. They understand fair market value. They get quality instruments that perform identically to new versions.
The key factor separating successful purchases from disappointing ones is knowledge. Players who research current market values understand what to inspect. They recognize fair pricing and consistently report satisfaction.
Success in the used guitar market isn’t luck. It’s preparation meeting opportunity.
Environmental Impact of Buying Used
More guitarists now talk about the environmental impact of their gear purchases. There’s real substance behind choosing second hand instruments at guitar center from an environmental perspective. The conversation has shifted from purely economic benefits to recognizing ecological advantages.
The environmental cost of manufacturing new guitars isn’t insignificant. Understanding that impact makes the used market even more appealing.
Sustainability in the Music Industry
Manufacturing new instruments demands considerable resources that many players never consider. Tonewoods like rosewood and mahogany are becoming increasingly scarce, raising both environmental and ethical concerns. Brazilian rosewood has been on CITES protection lists for years due to overharvesting.
The production process extends well beyond wood sourcing. Factory manufacturing consumes substantial energy through sawing, shaping, finishing, and assembly processes. Global shipping networks move raw materials to factories and finished instruments to retailers.
A single acoustic guitar’s manufacturing generates approximately 150-300 kg of CO2 equivalent. That number varies based on construction methods, materials, and transportation distances. Buying pre-owned eliminates that entire carbon footprint—the environmental cost was paid by the original purchase.
Reducing Waste Through Pre-Owned Instruments
Perfectly functional guitars ending up in landfills or storage spaces represents a genuine waste problem. Used music equipment keeps instruments actively serving musicians instead of becoming environmental burdens. Countless quality instruments gather dust in closets when they could be making music.
The circular economy principle applies perfectly to musical instruments. These items are built to last decades—sometimes centuries for high-quality acoustic guitars. Extending their useful life through resale maximizes the environmental investment already made in production.
Consider these sustainability benefits of buying used:
- Eliminates manufacturing carbon footprint for that specific instrument
- Reduces demand for increasingly scarce tonewoods
- Decreases industrial waste from factory production processes
- Minimizes packaging materials and shipping emissions
- Keeps functional instruments out of landfills
The impact multiplies across thousands of transactions. Every used guitar sold represents one fewer new instrument manufactured. This reduces cumulative environmental pressure on the industry.
The Eco-Friendly Guitar Player
Younger musicians increasingly factor environmental impact into purchasing decisions. Surveys indicate that 40-50% of millennials and Gen Z consumers prefer buying used when possible. This trend is driven partly by sustainability concerns.
Buying second hand instruments at guitar center aligns personal values with practical benefits. You save money and access premium gear at lower prices. You also reduce your environmental footprint simultaneously.
The market shift benefits everyone involved. Sellers recoup value from unused instruments instead of letting them collect dust. Buyers access affordable quality gear while the environment benefits from reduced manufacturing demand.
Environmental impact isn’t most people’s primary reason for buying used—price and value typically drive that decision. But it’s a genuine bonus that makes the choice feel even better. You gain financial savings while making a more sustainable decision.
The music industry faces increasing pressure to address sustainability concerns. Used instrument markets provide a practical, immediate solution. Every transaction in the secondary market is inherently more sustainable than buying new.
Final Thoughts and Recommendations
I’ve learned a lot through countless guitar center used purchases over the years. The pattern becomes clear. Buying pre-owned instruments isn’t about compromise—it’s about getting more instrument for your money.
What Really Matters When Buying Pre-Owned
The inspection process matters more than the price tag. I’ve seen $200 guitars that played beautifully and $800 ones that needed serious work. Your own hands-on evaluation beats any condition rating system.
Timing your purchases around seasonal inventory shifts gives you better selection. The guitar center trade-in program constantly feeds new options into the system. Fresh opportunities appear if you’re patient enough to wait for them.
Making Your Move
Set aside real time to explore inventory both online and in physical locations. Call stores in different cities when something catches your eye. I’ve driven two hours for the right instrument and never regretted it.
Budget separately for setup costs. Even used amps need proper evaluation before you commit. The return window exists for thorough testing—use every day of it.
Your Next Steps
Start browsing today with this knowledge: buying used often gets you into higher quality tiers. You’ll access better instruments than buying new at the same price point. Build relationships with store staff.
Ask questions. Trust your hands more than descriptions. The right guitar center used instrument is out there waiting.
Go find it.
FAQ
What should I look for when inspecting a used guitar at Guitar Center?
How does Guitar Center’s grading system work for pre-owned guitars?
Can I return a used guitar if I’m not satisfied with it?
Are Guitar Center’s online listings for used instruments accurate?
How much should I expect to save buying used versus new?
FAQ
What should I look for when inspecting a used guitar at Guitar Center?
Start with structural integrity. Sight down the neck from the headstock to check for straightness. Run your finger along the fret edges to feel for sharp ends or excessive wear.
Plug it in to test every switch position and knob. Look for cracks in the finish, especially around the neck joint and headstock. These can indicate drops or stress damage.
Check that tuning machines operate smoothly. Inspect the bridge for corrosion or damage. I always test the truss rod by making small adjustments to verify it’s not maxed out.
Take your time with this inspection. The return window is limited. Catch any issues before leaving the store or within the first few days of delivery.
How does Guitar Center’s grading system work for pre-owned guitars?
Their grading system rates condition. Interpret it conservatively based on my experience. “Good” condition might have more cosmetic wear than you’d expect—dings, scratches, or finish checking.
“Great” usually means minimal visible use with perhaps minor cosmetic imperfections. “Excellent” suggests the instrument looks nearly new with barely any signs of previous ownership.
Their grading focuses on cosmetic appearance and basic functionality, not playability. I’ve bought “Good” condition guitars that played beautifully after a proper setup. I’ve seen “Great” condition instruments that needed fretwork.
Always plan for a -80 setup cost regardless of the condition rating.
Can I return a used guitar if I’m not satisfied with it?
Yes, Guitar Center’s return policy for used music equipment typically gives you 45 days. This is reasonable for verifying no hidden issues exist.
This window lets you thoroughly evaluate the instrument. Take it home and play it through your amp. Test it at bedroom and gigging volumes.
Have a tech look at it if you want a professional opinion. Keep all documentation and take photos of any damage before leaving the store.
I’ve used this return window once. A used guitar had electronic issues that weren’t apparent during the quick in-store test. They became obvious during extended playing at home.
Are Guitar Center’s online listings for used instruments accurate?
The online listings for second hand instruments show which store has each specific instrument. Each listing represents one actual guitar, not generic stock. The photos are of the actual instrument you’re buying, not stock images.
Photos don’t always capture every detail. This includes minor finish imperfections or fret wear. I’ve had guitars shipped from California to the East Coast that matched their listings accurately.
I’ve also called stores to request additional photos or specific information about condition details the listing didn’t cover. Use the phone. Call the specific store holding the instrument and ask detailed questions before committing if you’re buying sight-unseen.
How much should I expect to save buying used versus new?
You’re typically looking at 30-50% off new prices. This depends on condition, demand, and how well the brand holds value.
A new Mexican Fender Stratocaster costs about 0-900. Used ones commonly appear at 0-600—that’s 0-400 in savings. American-made instruments show similar patterns.
American Ultra Strats retail around ,000 new but appear in the guitar center preowned section for
FAQ
What should I look for when inspecting a used guitar at Guitar Center?
Start with structural integrity. Sight down the neck from the headstock to check for straightness. Run your finger along the fret edges to feel for sharp ends or excessive wear.
Plug it in to test every switch position and knob. Look for cracks in the finish, especially around the neck joint and headstock. These can indicate drops or stress damage.
Check that tuning machines operate smoothly. Inspect the bridge for corrosion or damage. I always test the truss rod by making small adjustments to verify it’s not maxed out.
Take your time with this inspection. The return window is limited. Catch any issues before leaving the store or within the first few days of delivery.
How does Guitar Center’s grading system work for pre-owned guitars?
Their grading system rates condition. Interpret it conservatively based on my experience. “Good” condition might have more cosmetic wear than you’d expect—dings, scratches, or finish checking.
“Great” usually means minimal visible use with perhaps minor cosmetic imperfections. “Excellent” suggests the instrument looks nearly new with barely any signs of previous ownership.
Their grading focuses on cosmetic appearance and basic functionality, not playability. I’ve bought “Good” condition guitars that played beautifully after a proper setup. I’ve seen “Great” condition instruments that needed fretwork.
Always plan for a $50-80 setup cost regardless of the condition rating.
Can I return a used guitar if I’m not satisfied with it?
Yes, Guitar Center’s return policy for used music equipment typically gives you 45 days. This is reasonable for verifying no hidden issues exist.
This window lets you thoroughly evaluate the instrument. Take it home and play it through your amp. Test it at bedroom and gigging volumes.
Have a tech look at it if you want a professional opinion. Keep all documentation and take photos of any damage before leaving the store.
I’ve used this return window once. A used guitar had electronic issues that weren’t apparent during the quick in-store test. They became obvious during extended playing at home.
Are Guitar Center’s online listings for used instruments accurate?
The online listings for second hand instruments show which store has each specific instrument. Each listing represents one actual guitar, not generic stock. The photos are of the actual instrument you’re buying, not stock images.
Photos don’t always capture every detail. This includes minor finish imperfections or fret wear. I’ve had guitars shipped from California to the East Coast that matched their listings accurately.
I’ve also called stores to request additional photos or specific information about condition details the listing didn’t cover. Use the phone. Call the specific store holding the instrument and ask detailed questions before committing if you’re buying sight-unseen.
How much should I expect to save buying used versus new?
You’re typically looking at 30-50% off new prices. This depends on condition, demand, and how well the brand holds value.
A new Mexican Fender Stratocaster costs about $800-900. Used ones commonly appear at $450-600—that’s $300-400 in savings. American-made instruments show similar patterns.
American Ultra Strats retail around $2,000 new but appear in the guitar center preowned section for $1,200-1,400. The sweet spot I’ve found is 3-7 year old mid-range instruments.
They’ve depreciated significantly but aren’t old enough for major wear issues. Budget brands depreciate faster, sometimes hitting 50-60% off within a year. Premium brands like PRS or high-end Fender models retain 60-70% of original value even after several years.
Do used guitars from Guitar Center come with cases or accessories?
Sometimes yes, sometimes no. It depends entirely on what the previous owner included in their guitar center trade-in.
Pre-owned guitars often come with their original cases. I’ve personally grabbed instruments that included extras like upgraded straps, extra strings, or even aftermarket pickups worth $200+. The owner installed them but didn’t remove them before trading in.
The listing will specify if a case is included. If you’re buying a higher-end instrument without a case, factor that cost into your budget. A decent hardshell case runs $80-150.
I’ve also seen vintage gear guitar center listings that included original paperwork, warranty cards, and even the original sales receipt. This adds authenticity and can affect resale value down the line.
Is it better to buy used guitars in-store or online?
Both approaches have legitimate advantages. I use both depending on the situation.
In-store shopping gives you the obvious benefit. You physically play the instrument before committing, feel the neck profile, test the weight, and hear it through an amp.
Online shopping opens up inventory from hundreds of locations nationwide. This dramatically increases your chances of finding specific models or configurations.
Here’s my actual approach: use online browsing to identify possibilities across their entire network. Then either visit in person if it’s reasonably close or call the store holding that specific instrument to ask detailed questions.
I’ve had excellent experiences buying sight-unseen. This works when I knew exactly what model I wanted and had researched its common issues beforehand.
What common myths about buying used guitars should I ignore?
Several myths need debunking based on my years of experience. “Used guitars are damaged goods” is nonsense. Many are simply trade-ins from people changing styles, upgrading, or clearing out unused instruments.
“You can’t trust the quality” misses that Guitar Center’s inspection process covers basic functionality. You have a return window to verify everything works.
“New guitars always play better” ignores that properly set up used guitars often outperform budget new instruments. The manufacturing standards were higher to begin with.
The myth that “you need to buy in person” isn’t entirely true. I’ve had multiple successful purchases sight-unseen. What matters more than new-versus-used is the specific instrument’s condition and whether it’s been maintained properly.
How often does Guitar Center’s used inventory change?
The inventory turnover has gotten significantly faster over the past few years. Desirable models don’t sit on the wall for months anymore.
I’ve watched specific guitars I was considering disappear within days, sometimes hours of being listed online. The used section rotates constantly based on trade-ins, returns, and rental fleet rotations.
There are seasonal patterns too. Inventory increases noticeably after Christmas when people trade in gifts they didn’t want, and during summer when students sell gear before college. This creates temporary buyer’s markets if you’re patient.
My recommendation: if you’re hunting for something specific, set up alerts through their system rather than checking manually every day. That perfect instrument appears quickly, and you need to move fast.
Should I budget for additional setup costs after buying used?
Absolutely yes. Always plan for a $50-80 professional setup cost even on instruments graded favorably.
Guitar Center’s inspection for preowned instruments verifies basic functionality. Electronics work, neck is reasonably straight, frets aren’t completely shot. But “inspection” doesn’t mean “setup.”
I’ve bought used guitars that played fine but benefited enormously from proper intonation adjustment, action optimization, and fretwork afterward. That setup cost transforms an okay-playing used guitar into an instrument that rivals new models costing hundreds more.
Factor this into your budget from the start rather than being surprised. Think of it this way: you’re saving $400 buying used instead of new, spending $60 on setup. You still come out $340 ahead with a properly dialed-in instrument.
Can I verify the manufacturing year and origin of a used guitar?
Yes, and you absolutely should. Look up the specific serial number to verify manufacturing year and origin before committing to a purchase.
Most major brands have serial number databases online or documented decoding systems. This matters because it confirms authenticity. It helps you understand what components and manufacturing processes were used during that production period.
I’ve caught listing errors this way. A guitar listed as a 2015 model that the serial number revealed was actually from 2018. Or instruments described as “American-made” that were actually import models.
Knowing the exact year also lets you research any model-specific issues from that production run. Take the serial number from the listing and do five minutes of research before buying.
Are there specific brands that hold their value better in the used market?
Certain brands absolutely retain value better. This matters both for your purchase and eventual resale.
A used American Fender typically retains 60-70% of its original price if well-maintained. Telecasters specifically hold value remarkably well. I’ve seen 10-year-old American Teles selling for nearly what they cost new.
Gibson and PRS instruments from their higher-end lines also depreciate slowly. Budget brands like Squier, lower-tier Epiphone, and generic import brands depreciate faster. Sometimes hitting 40-50% of original value within a year or two.
This doesn’t mean avoid budget brands. It means understand what you’re buying. A used PRS SE might cost $400, but you’re getting build quality that will last decades.
If you maintain it properly, you’ll recoup most of that $400 when you eventually sell it.
What advantages do used guitars have over new instruments?
Used guitars have already gone through their “settling in” period. The wood has aged, the finish has cured completely, and any manufacturing quirks have already revealed themselves.
I’ve picked up instruments that needed minor setup work but sounded better than comparable new models. They’d been played in properly.
You’re also accessing discontinued models, vintage gear that’s no longer manufactured, and sometimes limited editions that originally sold out years ago. The affordability factor isn’t just about cheaper price tags.
It’s about accessing higher-quality tiers than your budget would allow when buying new. A $600 budget gets you a used American Fender instead of a new import model. This represents a genuine quality jump in components, craftsmanship, and resale value.
How can I get notified when specific used guitars become available?
Guitar Center’s “notify me” feature lets you set parameters for specific searches. Say, “Telecasters under $600” or “PRS SE models.” You’ll receive alerts when matching used guitars get listed.
This tool has genuinely saved me countless hours of manual checking. Set up multiple alerts for different models or configurations you’re considering.
I have standing alerts for American Stratocasters under $900, any PRS Custom models, and specific vintage Yamaha acoustics I collect. Something matching appears in their used inventory, I get an email. Usually within hours of the listing going live.
Combined with building relationships with store staff who know your preferences, you create a system that finds instruments for you. They can call when something matching appears before it hits online listings.
What’s the guitar center clearance section, and how does it relate to used inventory?
The clearance section sometimes overlaps with used inventory. It includes floor models, B-stock items, and returned instruments priced similarly to used gear.
The distinction matters less than the actual condition and price. I’ve found excellent deals in clearance where a floor model was marked down 40%. Despite being essentially new with just minor handling wear from customers test-playing it.
Sometimes clearance pricing beats used pricing for comparable condition. Check both sections when hunting for affordable used instruments.
Don’t get hung up on whether something is labeled “used” versus “clearance.” What matters is the specific instrument’s condition and whether the price represents fair value. I’ve grabbed clearance amps and pedals that were technically new but priced like used equipment simply because the packaging was damaged.
,200-1,400. The sweet spot I’ve found is 3-7 year old mid-range instruments.
They’ve depreciated significantly but aren’t old enough for major wear issues. Budget brands depreciate faster, sometimes hitting 50-60% off within a year. Premium brands like PRS or high-end Fender models retain 60-70% of original value even after several years.
Do used guitars from Guitar Center come with cases or accessories?
Sometimes yes, sometimes no. It depends entirely on what the previous owner included in their guitar center trade-in.
Pre-owned guitars often come with their original cases. I’ve personally grabbed instruments that included extras like upgraded straps, extra strings, or even aftermarket pickups worth 0+. The owner installed them but didn’t remove them before trading in.
The listing will specify if a case is included. If you’re buying a higher-end instrument without a case, factor that cost into your budget. A decent hardshell case runs -150.
I’ve also seen vintage gear guitar center listings that included original paperwork, warranty cards, and even the original sales receipt. This adds authenticity and can affect resale value down the line.
Is it better to buy used guitars in-store or online?
Both approaches have legitimate advantages. I use both depending on the situation.
In-store shopping gives you the obvious benefit. You physically play the instrument before committing, feel the neck profile, test the weight, and hear it through an amp.
Online shopping opens up inventory from hundreds of locations nationwide. This dramatically increases your chances of finding specific models or configurations.
Here’s my actual approach: use online browsing to identify possibilities across their entire network. Then either visit in person if it’s reasonably close or call the store holding that specific instrument to ask detailed questions.
I’ve had excellent experiences buying sight-unseen. This works when I knew exactly what model I wanted and had researched its common issues beforehand.
What common myths about buying used guitars should I ignore?
Several myths need debunking based on my years of experience. “Used guitars are damaged goods” is nonsense. Many are simply trade-ins from people changing styles, upgrading, or clearing out unused instruments.
“You can’t trust the quality” misses that Guitar Center’s inspection process covers basic functionality. You have a return window to verify everything works.
“New guitars always play better” ignores that properly set up used guitars often outperform budget new instruments. The manufacturing standards were higher to begin with.
The myth that “you need to buy in person” isn’t entirely true. I’ve had multiple successful purchases sight-unseen. What matters more than new-versus-used is the specific instrument’s condition and whether it’s been maintained properly.
How often does Guitar Center’s used inventory change?
The inventory turnover has gotten significantly faster over the past few years. Desirable models don’t sit on the wall for months anymore.
I’ve watched specific guitars I was considering disappear within days, sometimes hours of being listed online. The used section rotates constantly based on trade-ins, returns, and rental fleet rotations.
There are seasonal patterns too. Inventory increases noticeably after Christmas when people trade in gifts they didn’t want, and during summer when students sell gear before college. This creates temporary buyer’s markets if you’re patient.
My recommendation: if you’re hunting for something specific, set up alerts through their system rather than checking manually every day. That perfect instrument appears quickly, and you need to move fast.
Should I budget for additional setup costs after buying used?
Absolutely yes. Always plan for a -80 professional setup cost even on instruments graded favorably.
Guitar Center’s inspection for preowned instruments verifies basic functionality. Electronics work, neck is reasonably straight, frets aren’t completely shot. But “inspection” doesn’t mean “setup.”
I’ve bought used guitars that played fine but benefited enormously from proper intonation adjustment, action optimization, and fretwork afterward. That setup cost transforms an okay-playing used guitar into an instrument that rivals new models costing hundreds more.
Factor this into your budget from the start rather than being surprised. Think of it this way: you’re saving 0 buying used instead of new, spending on setup. You still come out 0 ahead with a properly dialed-in instrument.
Can I verify the manufacturing year and origin of a used guitar?
Yes, and you absolutely should. Look up the specific serial number to verify manufacturing year and origin before committing to a purchase.
Most major brands have serial number databases online or documented decoding systems. This matters because it confirms authenticity. It helps you understand what components and manufacturing processes were used during that production period.
I’ve caught listing errors this way. A guitar listed as a 2015 model that the serial number revealed was actually from 2018. Or instruments described as “American-made” that were actually import models.
Knowing the exact year also lets you research any model-specific issues from that production run. Take the serial number from the listing and do five minutes of research before buying.
Are there specific brands that hold their value better in the used market?
Certain brands absolutely retain value better. This matters both for your purchase and eventual resale.
A used American Fender typically retains 60-70% of its original price if well-maintained. Telecasters specifically hold value remarkably well. I’ve seen 10-year-old American Teles selling for nearly what they cost new.
Gibson and PRS instruments from their higher-end lines also depreciate slowly. Budget brands like Squier, lower-tier Epiphone, and generic import brands depreciate faster. Sometimes hitting 40-50% of original value within a year or two.
This doesn’t mean avoid budget brands. It means understand what you’re buying. A used PRS SE might cost 0, but you’re getting build quality that will last decades.
If you maintain it properly, you’ll recoup most of that 0 when you eventually sell it.
What advantages do used guitars have over new instruments?
Used guitars have already gone through their “settling in” period. The wood has aged, the finish has cured completely, and any manufacturing quirks have already revealed themselves.
I’ve picked up instruments that needed minor setup work but sounded better than comparable new models. They’d been played in properly.
You’re also accessing discontinued models, vintage gear that’s no longer manufactured, and sometimes limited editions that originally sold out years ago. The affordability factor isn’t just about cheaper price tags.
It’s about accessing higher-quality tiers than your budget would allow when buying new. A 0 budget gets you a used American Fender instead of a new import model. This represents a genuine quality jump in components, craftsmanship, and resale value.
How can I get notified when specific used guitars become available?
Guitar Center’s “notify me” feature lets you set parameters for specific searches. Say, “Telecasters under 0” or “PRS SE models.” You’ll receive alerts when matching used guitars get listed.
This tool has genuinely saved me countless hours of manual checking. Set up multiple alerts for different models or configurations you’re considering.
I have standing alerts for American Stratocasters under 0, any PRS Custom models, and specific vintage Yamaha acoustics I collect. Something matching appears in their used inventory, I get an email. Usually within hours of the listing going live.
Combined with building relationships with store staff who know your preferences, you create a system that finds instruments for you. They can call when something matching appears before it hits online listings.
What’s the guitar center clearance section, and how does it relate to used inventory?
The clearance section sometimes overlaps with used inventory. It includes floor models, B-stock items, and returned instruments priced similarly to used gear.
The distinction matters less than the actual condition and price. I’ve found excellent deals in clearance where a floor model was marked down 40%. Despite being essentially new with just minor handling wear from customers test-playing it.
Sometimes clearance pricing beats used pricing for comparable condition. Check both sections when hunting for affordable used instruments.
Don’t get hung up on whether something is labeled “used” versus “clearance.” What matters is the specific instrument’s condition and whether the price represents fair value. I’ve grabbed clearance amps and pedals that were technically new but priced like used equipment simply because the packaging was damaged.





